We are quickly running out of time in Paris but as exhausted as we are, we want to push ourselves today again to see all that this beautiful city has to offer. Please be warned pictures of exposed bones are in this blog and anxious children may be disturbed by the images (‘cause adults don’t get scared by this stuff), but that’s later in the blog.
Notre Dame Cathedral
We started our day at the unmistakable Catholic church of Notre Dame. The exterior was beautifully embellished with the iconic windows and statues of the Apostles. The beauty inside the building of contrasting dark wood tones and colourful glass windows was breathtaking and it was truly touching to see the many alters and candles as offerings.
Notre Dame |
Les Invalides and Napoleon's Tomb
We walked around the beautiful church for almost an hour before making our way to Les Invalides and Napoleon’s Tomb. The Les Invalides is a series of buildings once used as a military hospital and later extended to incorporate a retirement home called ‘hospital des invalids (hospital for invalids). Now it is a French Army museum and Emperor Napoleon’s Tomb. Napoleon was a military and political lead of France and Emperor of the French now known as Napoleon I, who shaped European politics in the early 19th century.
We walked past the main alter with sore necks from looking up, then made our way down spiralling wide brown marble stairs to the ground floor. The corridor door was guarded by marble stone figures carrying precious gold crowns. Napoleon was truly worshiped and adored by the people. The walls of the corridor leading to the tomb were spot lit on carved scenes of Nepoleon in battle and shaking hands for peace agreements.
The tomb was centred in the room and surrounded by angels at each pillar carrying offerings. Further behind the alter was the resting place of Napoleon with a statue of him with a staff and crown.
Uplifted, we left the building for a better shot from outside. Time for lunch! We stopped into the Cafe Du Rendez-Vous and enjoyed a French lunch. It was nice to finally stop enjoy the French pastime by watch the passerby’s over a good meal and coffee. It’s good to be in Paris today. The cafe was across the road from the Parisian Catacombs.
Catacombs
More history: At the end of the 18th century, rampant disease in the les Halles neighbourhood caused by the adjacent Cemetery of the Innocents led to the mass grave being entirely exhumed. In 1785, it was decided that the bones were to be moved to the building stone quarry under the Montsouris plain in the south of Paris. On April 7, 1786, after being properly converted and readied, the quarries were consecrated and become the principal ossuary of Paris. Until 1788 cartloads covered with black clothes, escorted by priests chanting the office for the dead, crossed Paris by night to deposit the remains. The Catacombs were accessible to the public to view in 1810-1811.
We bought our tickets and walked through the slippery corridors 20 metres below ground level beneath the metro in the old sewer system before coming to the bone galleries which follow the street patterns above ground. It was very eerie walking through nameless bones that were decorated to form patterns.
Louvre Museum
One last stop for the day was the Louvre Museum, but first before the Museum, the world’s best toileting experience. Check out the toilet paper colours and patterns and the toilet seats. Every toilet is cleaned by an attendant after each use with the latest electronic flushing and taps that technology has to offer.
On with the Museum tour. The prism colours were spectacular.
The museum was very busy with thousands of people everywhere, especially in the room of the Mona Lisa painting but we pushed through and got a shot. The painting was behind glass for protections and flashes were going off all around. It’s clear to see now why so many other museums don’t allow photography.
Mona Lisa |
La Venus de Milo |
Goddess Athena |
Though we’ve been to Egypt, we gazed at the Egyptian artifacts of the museum for a long time still admiring the beauty and craftsmanship of the carvings.
Ramses II |
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